On screen or off, at a red carpet gala or dashing to the airport, Tilda Swinton is woman who wears clothes very well. Part of it is her lean, 5′ 11″ frame that lets fabric drape luxuriously over her limbs, but most of it is her attitude. She gazes into cameras with ice blue eyes and frost-blonde hair and one thinks this is a woman who could wear a muumuu and look chic. It’s no wonder that fashion houses like Chanel want to put her in their ads or that film directors like to give her roles with elaborate costumes. We spoke with the 53-year old Scot during her first visit to Austin, Texas during the South by Southwest festival. She was in town promoting Only Lovers Left Alive, a hauntingly beautiful vampire film by Jim Jarmusch which opens in movie theaters this Friday, April 11th. Swinton, who was seen sporting Chanel cowboy boots and a midi-leather skirt earlier in the day, talked about her role as Eve, a centuries-old, blood-drinking romantic, and also attempted to explain why she is really not the fashion star everyone thinks she is.
Only Lovers Left Alive is technically a vampire movie, but it doesn’t feel like one.
It’s a love story. Of course, it does involve a vampire element, but I would suggest that is secondary. It’s about long life and long love. You don’t need to be much older than 16 to know that you occasionally need to reboot your relationships. A long, long relationship [like between two vampires] needs to constantly renegotiate itself.
You are also seen in Wes Anderson’s Grand Budapest Hotel wearing an amazing costume. Your transformation into a wealthy octogenarian was remarkable. What was the process like?
So thrilling. I’m such a nerd when it comes to all these technical layers. I loved being able to work with incredible artists and their prosthetics. It was quite extraordinary. It took five hours. Five hours on, five hours off. Only for a day or two. It wasn’t Jim Carrey in The Grinch or anything, but it was amazing.
A few weeks ago you were in Paris for the couture shows. How does that scene compare to SXSW?
It’s a circus, just as this is a circus. In a way, I think it’s quite similar. It’s a very exciting thing to be mixed up in. To have the privilege to have a beginner’s mind like I have is a quite luxurious thing. If you have as little knowledge as I do, and if your relationship is as tangential as mine is, you can just dip in and out quick.
How is your love for fashion evolving?
I’m not even sure I have a love for fashion, to be perfectly honest with you. My relationship with fashion is entirely based on my relationship with various individuals and friends of mine who happen to make the work. If I didn’t have those friendships, I would not be invited to their shows or even invited to wear their clothes. I don’t follow fashion. I still have – and am happy to retain – a beginner’s mind.
Is it frustrating when what you wear to a premiere – like those amazing fringed Schiaparelli sandals you wore in Berlin – get more attention than the movie itself?
Not at all. That’s a part of the circus too. That’s what that moment is an opportunity for. I would much rather have people looking at my shoes than at me. It’s a way of deflecting attention. It’s also a way of sharing that moment, say with [Schiaparelli’s] Marco Zanini or Haider Ackermann or Chanel or whomever I am hand-in-hand with on that bit of carpet. It’s a way to be in company.
Here in Texas you’re wearing Chanel cowboy boots, did you specifically request those?
Yes, absolutely! I said, ‘I’m going to Austin. Give me some cowboy boots and cowboy gear.’